As indie-pop has gained momentum globally, bands like Almost Monday, a San Diego-based trio, have made waves with their unique sound and style. Almost Monday has been turning heads with its catchy hooks and infectious energy.
With their previous releases gaining traction, they are diving deeper into the music scene with their latest album, “DIVE.” This highly anticipated release promises to showcase the band’s growth and versatility, blending genres and pushing boundaries.
Almost Monday is a 3-member band under Hollywood Records that debuted in 2019 and marked the start of a new wave of indie-pop music in the industry, with their sound being deeply rooted in online culture. Almost Monday is a 3-member band under Hollywood Records that debuted in 2019 and marked the start of a new wave of indie-pop music in the industry, with their sound being deeply rooted in online culture. Their music often incorporates elements of social media trends, meme culture, and relatable lyrics about youth and technology, resonating with fans born between Gen Z and Millennials. Lead vocalist Dawson Daugherty’s distinctive vocals and the band’s blend of catchy hooks, guitar-driven melodies, and electronic production have drawn comparisons to artists like The 1975 and Pale Waves.
Almost Monday is one of the first bands to emerge from the TikTok era, with their music resonating with fans who grew up on the platform. The band consists of Dawson Daugherty, Cole Clisby, and Luke Fabry, each bringing their unique perspective and relatability to the table, making them the faces of authenticity for their fans
The album has 11 tracks with a mix of upbeat and mellow vibes. It leans heavily on the band’s signature indie-pop sound, with catchy hooks and relatable lyrics.
This album departs from their previous releases, showcasing a more experimental and liberated approach to their music. Unlike their earlier work, which was often tied together by cohesive themes and sounds, “DIVE” sees the band embracing creative freedom and pushing boundaries, exploring new sonic landscapes, blending genres, and showcasing their growth as artists.
Throughout the album, Almost Monday showcases their versatility by exploring different genres and sounds, from indie-rock to pop and electronic. Their confidence in their identity as a band is evident in their willingness to experiment and push boundaries. Throughout the album, Almost Monday showcases their versatility by exploring different genres and sounds, from indie-rock to pop and electronic. Their confidence in their identity as a band is evident in their willingness to experiment and push boundaries. This fearlessness translates into infectious anthems, moody ballads, and even unexpected collaborations with elements of hip-hop and R&B, solidifying Almost Monday’s status as a chameleon-like act unafraid to defy genre conventions and delight fans with surprises.
Dawson Daugherty’s songwriting skills shine in tracks like “Dive” and “Sunburn”, while Cole Clisby’s production touches are clear in songs like “cool kids” and “haunt me”. Luke Fabry’s vocal range and emotional delivery make songs like “Broken” and “Feel Like Nobody” stand out. The addition of tracks like “Is it too late”, “can’t slow down”, and “never enough,” further showcase the band’s range and depth. Dawson Daugherty’s songwriting skills shine in tracks like “Dive” and “Sunburn”, while Cole Clisby’s production touches are clear in songs like “cool kids” and “haunt me”. Luke Fabry’s vocal range and emotional delivery make songs like “Broken” and “Feel Like Nobody” stand out. The addition of tracks like “Is it too late”, “can’t slow down”, and “never enough,” further showcase the band’s range and depth. This collective talent culminates in a dynamic sound that’s both deeply personal and universally relatable, with each member’s unique strengths blending seamlessly to create Almost Monday’s distinctive voice – one that resonates with listeners seeking authentic, emotional, and addictive indie-pop.
My personal favorites from the album are “is it too late”, “can’t slow down”, and “never enough.”
“Is it too late” – is an impactful track that strikes a chord with its heartfelt lyrics and uplifting melody. The song speaks to me, exploring themes of yearning, remorse, and the anxiety of potentially missing out on something meaningful. The chorus poses the poignant question “Is it too late?”—a thought that lingers when I think about past decisions or relationships. The song’s emotional depth speaks to me, and I believe it will speak to many others, particularly those who have faced heartbreak or regret. The band’s ability to create relatable lyrics paired with catchy melodies makes “Is It Too Late” a must-listen for anyone who values genuine, emotional music.
“Can’t Slow Down” – is an electrifying tune that ignites my passion for adventure and freedom. The song’s nonstop energy and memorable hooks make it hard to stay still, with lyrics that beautifully express the excitement of living life on my own terms. Almost Monday mixes indie rock with pop vibes, crafting a sound that’s both reminiscent and fresh, making “Can’t Slow Down” a perfect anthem for those seeking independence and thrill. What I enjoy the most is how the song’s catchy rhythm and uplifting lyrics blend to create an unstoppable drive.
“Never Enough” – is a heart-wrenching song about longing and unfulfilled love. The melody is haunting and the lyrics are relatable, making it easy to get caught up in the emotions. The music perfectly captures the pain of loving someone out of reach, leaving you with a lasting sorrow. Overall, it’s a beautiful yet heartbreaking tune that resonates deeply. Others will love this song because it’s an honest portrayal of heartbreak, and Almost Monday’s emotive vocals make it feel deeply personal. Anyone who’s experienced the ache of longing will find solace in this song’s haunting beauty.
I’d rate this album an 8 out of 10 for their unique sound and style. Some similar artists in terms of their genre-bending sound and style include: Vampire Weekend, Tove Lo, Halsey, Lana Del Rey, and Billie Eilish
